Femininity and Women’s Resistance: Deconstruction of Meaning by Sara Mills’ Critical Discourse in ‘Mother’ Movie
Dekonstruksi Makna melalui Wacana Kritis Sara Mills dalam Film 'Mother'
Keywords:
feminity, critical discourse of Sara Mills, the “Mother†movie, women resistance
Abstract
The strength of film as a medium that represents and constructs reality with the storyline which is symbolically packaged, through substance and full of socio-cultural values. This study is to describe the deconstruction of femininity and women's resistance meaning in the “Mother†movie. This research is a descriptive qualitative text research using main analysis of critical discourse by Sara Mills. The subject is the “Mother†movie, a thriller drama directed by Bong Joon-Ho. Collecting data at the text level, especially through documentation and literature studies, and furthermore, data is validated through FGD with experts who have experience and knowledge according to the object of research. The results explain the deconstruction of feminine values and women's resistance meaning in the “Mother†movie positioning women as objects. At this level, there is an objectification of women through the main character played by Hye ja, although another tendency appears which also positions women as subjects in the storyline. The emergence of physical and emotional aspects of femininity strengthens the objectification of women in the film. However, there is a dissection on femininity and resistance value in the film due to the emotional dynamics of the main character’s complex character. Finally, the existence of media as an industry and the power of messages makes the practice of media commodification depends on the owners, so it’s possible that the image of the female character in the film is used to represent a form of media power over the commodification of the message conveyed.Downloads
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References
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Santi, S. (2004). Perempuan dalam Iklan: Otonomi Atas Tubuh atau Komoditi? Jurnal Komunikologi, 1(1).
Sar, S. (2020). Female Masculinity in Indonesian Folklore Nyai Undang Ratu Rupawan dari Pulau Kupang. Muwazah: Jurnal Kajian Gender, 12(1), 1–14. https://doi.org/10.28918/muwazah.v12i1.2354
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Widianti, N., Rivaldi, S. A., Labibah, S., & Solihin, N. (2020). Representasi Perjuangan Perempuan dalam Novel Wedding Agreement karya Mia Chuz. Muwazah: Jurnal Kajian Gender, 12(1), 53–70. https://doi.org/10.28918/muwazah.v12i1.2462
Widjaja, A. . (1993). Komunikasi dan Hubungan Masyarakat. Jakarta: Bumi Aksara.
Wihayanti, T. (2021). Sinopsis Mother, Kisah Perjuangan Ibu Bebaskan Anak dari Penjara. Retrieved from 15 Januari 2021 website: https://www.kompas.com/hype/read/2021/01/15/201721866/sinopsis-mother-kisah- perjuangan-ibu-bebaskan-anak-dari-penjara?page=all
Wildan. (2014). Resistansi dan Model Resistansi dalam Novel Perempuan Berkalung Sorban Karya Abidah El Khalieqy. Gramatika, 2(2), 83–92.
Anggraeni, D. (2018). Analisis Framing Entman Berita Tata Kelola Pangan di Media Online. Jurnal The Messenger, 10(1), 113–114. https://doi.org/http://dx.doi.org/10.26623/themessenger.v10i1.711
AP, G. K. (2009). Magnolia acquires ‘Mother.’ Retrieved from 1 September 2009 website: https://www.hollywoodreporter.com/business/business-news/magnolia-acquires- mother-88316/
Asrita, S. (2019). Konstruksi Feminisme Perempuan Sumba. Jurnal Aristo: Sosial Politik Humaniora, 7(1), 147–162.
Badara, A. (2014). Analisis Wacana: Teori, Metode, dan Penerapannya pada Wacana Media. Jakarta: Prenada Media Group.
Barker, C. (2000). Cultural Studies: Teori dan Praktek. Yogyakarta: Kreasi Wacana.
Biasini, N. (2018). Pergeseran Representasi Feminitas dalam Film Animasi Disney Princess.
Jurnal Widyakala, 5(2), 111–122.
Cho, Y., Park, J., Han, S. J., Sung, M., & Park, C. (2021). Women entrepreneurs in South Korea: motivations, challenges and career success. European Journal of Training and Development, 45(2/3), 97–119. https://doi.org/10.1108/EJTD-03-2020-0039
Choi, J. S. (1985). í•œêµê°€ì¡±ì—°êµ¬ (Research on Korean Family Structure). Seoul: Iljisa.
Cooke, F. L. (2010). Women’s Participation in Employment in Asia: A Comparative Analysis
of China, India, Japan and South Korea. The International Journal of Human Resource Management, 21(12), 2249–2270. https://doi.org/10.1080/09585192.2010.509627
Creswell, J. W. (2014). A Concise Introduction to Mixed Methods Research. London: Sage Publication Inc.
Danadharta, I. (2019). Repesentasi Feminis Marxis dalam Film Suffragette. Jurnal Representamen, 5(1), 56–64.
Dayana, A. S. (2019). Kim Ji-young, Born 1982 & Diskriminasi Perempuan Korea Selatan. Retrieved from 17 November 2019 website: https://tirto.id/kim-ji-young-born-1982- diskriminasi-perempuan-korea-selatan-elPm
Dayanti, L. D. (2011). Wacana Kekerasan dan Resistensi Perempuan dalam Film Karya Sutradara Perempuan. Kawistara, 1(2), 103–118. https://doi.org/10.22146/kawistara.3912
Dosi, E. (2012). Media Massa Dalam Jaring Kekuasaan: Sebuah Studi Tentang Relasi Kekuasaan Dibalik Wacana. Flores: Ledaleno.
Eriyanto. (2015). Analisis Wacana: Pengantar Analisis Teks Media (N. Huda, Ed.). Yogyakarta: LKiS.
Fairclough, N., & Wodak, R. (1997). Critical Discourse Analysis. In T. A. van Dijk (Ed.), Discourse as Social Interaction Studies A Multidisciplinary Introduction (2nd ed., p. 258). London: Sage Publication Inc.
Febryani, I. (2019). Feminisme dalam Film Marlina Si Pembunuh dalam Empat Babak. Layar, 5(2), 29–38.
Hardiningtyas, P. R. (2016). Resistansi Perempuan Papua di Lingkungannya dalam Roman Isinga Karya Dorothea Rosa Herliany. Aksara, 28(2), 143–153.
Harjudin, L. O. (2001). Konstruksi Bahasa Politik dalam Memperkukuh Hegemoni Kekuasaan: Suatu Analisis Wacana Kritis Menjelang SU MPR 1998 Hingga Munculnya Era Reformasi Media Mei 1999. Universitas Indonesia.
IMDb. (2009). Mother (2009).
Indonesia, T. C. (2020). 4 Film Korea yang Dapat Penghargaan di Ajang Internasional. Retrieved from 18 Agustus 2020 website: https://www.cnnindonesia.com/hiburan/20200803114406-225-531541/4-film-korea- yang-dapat-penghargaan-di-ajang-internasional
Jenkins, M. (2010). From Korea, A Thriller Hitchcock Would Admire. Retrieved from 11 Maret 2010 website: https://www.npr.org/templates/story/story.php?storyId=124498478
Jorgensen, M. W. (2007). Analisis Wacana Teori & Metode. Yogyakarta: Pustaka Pelajar.
Kang, H.-R., & Rowley, C. (2005). Women in Management in South Korea: Advancement or Retrenchment? Asia Pacific Business Review, 11(2), 213–231. https://doi.org/10.1080/1360238042000291171
Kurnia, N. (2017). Consuming Gender and Disability in Indonesian Film. Jurnal ASPIKOM, 3(3), 570–587.
Kurnianto, E. A. (2016). Resistensi Perempuan terhadap Wacana Ratu Rumah Tangga dalam Cerpen Intan Paramaditha. Atavisme, 19(1), 88–101. Retrieved from https://core.ac.uk/download/pdf/194055921.pdf
Lee, K. J., Um, C. C., & Kim, S. (2004). Multiple Roles of Married Korean Women: Effect of Depression. Sex Roles, 51, 469–478. Retrieved from https://link.springer.com/article/10.1023/B:SERS.0000049235.60839.ef
Lestari, S. B. (2019). Pemaknaan Khalayak terhadap Film “Marlina Si Pembunuh dalam Empat Babak.†Interaksi Online, 27(3), 72–78.
Magnolia Pictures. (n.d.). Mother. Retrieved from 12 Maret website: http://www.motherfilm.com/
Ministry of Gender Equality and Family. (n.d.). Retrieved from http://www.mogef.go.kr/
Nam, K., Lee, G., & Hwang, J.-S. (2011). Gender Stereotypes Depicted by Western and Korean Advertising Models in Korean Adolescent Girls’ Magazines. Sex Roles, 64, 223– 237. https://doi.org/10.1007/s11199-010-9878-z
OECD. (2012). Food and the Tourism Experience. https://doi.org/10.1787/22239804
Patterson, L., & Walcutt, B. (2013). Korean Workplace Gender Discrimination Research Analysis: A Review of the Literature from 1990 to 2010. Asia Pacific Business Review, 19(1), 85–101. https://doi.org/10.1080/13602381.2012.697774
Prahastiwi, N. (2019). Wacana Perlawanan Perempuan pada Film Marlina Si Pembunuh dalam Empat Babak. IAIN Surakarta.
Ramli, R. B. (2018). Representasi Kekerasan Fisik dan Simbolik Terhadap Perempuan dalam Film Marlina Si Pembunuh dalam Empat Babak. Seminar Internasional Riksa Bahasa XII Peranan Bahasa Indonesia Sebagai Literasi Peradaban Universitas Pendidikan Indonesia.
Reed, E. (2019). Mitos Inferioritas Perempuan (D. Mahardika, Ed.). Yogyakarta: Penerbit Independen.
Santi, S. (2004). Perempuan dalam Iklan: Otonomi Atas Tubuh atau Komoditi? Jurnal Komunikologi, 1(1).
Sar, S. (2020). Female Masculinity in Indonesian Folklore Nyai Undang Ratu Rupawan dari Pulau Kupang. Muwazah: Jurnal Kajian Gender, 12(1), 1–14. https://doi.org/10.28918/muwazah.v12i1.2354
Siregar, A. S. (2010). Review: Mother (2009).
Sobur, A. (2001). Analisis Teks Media: Suatu Pengantar Untuk Analisis Wacana, Analisis Semiotik, Analisis Framing. Bandung: PT. Remaja Rosdakarya.
Tamburaka, A. (2013). Literasi Media: Cerdas Bermedia Khalayak Media Massa. Jakarta: PT Raja Grafindo Persada.
Telaumbanua, Y. K. (2020). Nostalgia Film “Mother†Garapan Sutradara “Parasite.†Retrieved from 13 April 2020 website: https://www.layar.id/film/nostalgia-film- mother-garapan-sutradara-parasite/
Wahid, S. W., & Pratiwi, R. Z. B. (2018). The Construction of Tionghoa Ethnic Stereotype in Ngenest Movie. Jurnal Ilmu Komunikasi, 1(2), 54–66. https://doi.org/10.33005/jkom.v0i2.24
Walby, S. (2014). Teorisasi Patriarki (M. K. Prasela, Ed.). Yogyakarta: Jalasutra.
Wibowo, E. A. (2015). Representasi Perempuan dalam Film Wanita Tetap Wanita (Analisis Semiotika Representasi Perempuan dalam Film Wanita Tetap Wanita). Universitas Muhammadiyah Surakarta.
Wibowo, G. (2019). Representasi Perempuan dalam Film Siti. Nyimak: Journal of Communication, 3(1), 47–59.
Widianti, N., Rivaldi, S. A., Labibah, S., & Solihin, N. (2020). Representasi Perjuangan Perempuan dalam Novel Wedding Agreement karya Mia Chuz. Muwazah: Jurnal Kajian Gender, 12(1), 53–70. https://doi.org/10.28918/muwazah.v12i1.2462
Widjaja, A. . (1993). Komunikasi dan Hubungan Masyarakat. Jakarta: Bumi Aksara.
Wihayanti, T. (2021). Sinopsis Mother, Kisah Perjuangan Ibu Bebaskan Anak dari Penjara. Retrieved from 15 Januari 2021 website: https://www.kompas.com/hype/read/2021/01/15/201721866/sinopsis-mother-kisah- perjuangan-ibu-bebaskan-anak-dari-penjara?page=all
Wildan. (2014). Resistansi dan Model Resistansi dalam Novel Perempuan Berkalung Sorban Karya Abidah El Khalieqy. Gramatika, 2(2), 83–92.
Published
2022-01-22
How to Cite
Pratiwi, R. Z., Susilowati, E., Rusdiana, J., & Rohmatika, A. (2022). Femininity and Women’s Resistance: Deconstruction of Meaning by Sara Mills’ Critical Discourse in ‘Mother’ Movie: Dekonstruksi Makna melalui Wacana Kritis Sara Mills dalam Film ’Mother’. Muwazah, 13(2), 193-220. https://doi.org/10.28918/muwazah.v13i2.4563
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